[identity profile] tishaturk.livejournal.com
The OTW's Fan Video & Multimedia Committee is once again working with the Legal Committee and the Electronic Frontier Foundation to petition for a DMCA exemption granting vidders, AMV makers, and other creators of noncommercial remix video the right to break copy protection on media files. In 2010, we won the right to rip DVDs; in 2012, we got that exemption renewed and expanded to include digital downloads (iTunes, Amazon Unbox, etc.). In 2015, we'll be pushing to add Blu-Ray—and, of course, to renew the exemptions we've already won in the last two rounds of DMCA rulemaking.

And we need your help to do it! If you make or watch vids, AMVs, or other forms of fan video, we need you to tell us:

1. Why making fan videos is a transformative and creative act;
2. Why video makers need high-quality source;
3. Why video makers need to be able to manipulate source (change speed and color, add effects, etc.);
4. Why video makers need fast access to source (such as using iTunes downloads rather than waiting for DVDs);
5. Why video makers need to be able to use Blu-Ray;
6. Why video makers need to be able to use streaming sources; and
7. Anything else you think we should keep in mind as we work on the exemption proposal.
ETA: We're also looking for vids that we should add to the Fair Use Test Suite, and we'd love to have your suggestions.

If you have thoughts about any or all of these topics, you can comment on this post OR contact me (Tisha) directly at tisha dot turk at gmail dot com or fanvideo-chair at transformativeworks dot org, or email the Legal Committee at legal at transformativeworks dot org. You don't have to use your real name; we can use your name or pseudonym or describe you anonymously as "a vidder" or "a fan video artist."

The DMCA is U.S. copyright law and only directly affects U.S. vidders, but it does potentially have ripple effects outside the U.S.: Strong DMCA exemptions help send the message that fan creativity should be protected everywhere. With that in mind, please feel free to send your thoughts even if you don't live in the U.S.

Also, please help us signal-boost! This info is being posted to LiveJournal and Dreamwidth communities and on Tumblr; if you can think of other places the OTW should post, please let me know -- and if you can spread the word in your own communities, on streaming sites, etc., please do.
[identity profile] alba17.livejournal.com
I hope someone can help me with this. I've searched and searched for answers but I'm not coming up with an obvious solution. For the first time, I'm trying to vid using the digital download that comes with commercial DVDs and Blu-rays. I'm making a Captain America vid with clips from both movies. I converted the files to .mov (I use Final Cut Express) and made clips with MPEG Streamclip. For the life of me, I can't figure out how to handle the weird frame size for the second movie (from Blu-Ray). It's 1280 x 532. I converted the Blu-Ray clips to 720 x 480, the size of the first movie, but they're still a different size from the first movie when I put them into FCE. When converted, they take up the whole frame, while the Cap 1 clips are letterboxed. In the past, when I've had different size sources, I just manually adjusted the frame in the Canvas and it wasn't a big deal, but I can't seem to do that with this. If I scale the Cap 1 clips up, it cuts off too much material and I just don't see how it would work.

I guess I have two basic problems:

1) How can I make the two sources match in frame size?

2) How do you handle Blu-Ray digital files with this weird frame size? Even I were making a vid with just Cap 2 clips, the natural size is so short and wide. It only takes up the middle third of the screen. The other weird thing is when I check the size of these clips in Quicktime, it says it's 720 x 480, even though I exported them to an HD frame size.

I'm so confused and frustrated.
[identity profile] fiery-genius.livejournal.com
For those of us who like having our movies or tv show episodes in single files...

Muxing Together Your Video Files with tsMuxer



X-posted to [livejournal.com profile] vidding_tech and my own journal, [livejournal.com profile] fiery_genius
[identity profile] fiery-genius.livejournal.com
After finally getting my hands on blu-ray reading drives, I realized that no one in the vidding realm had any blu-ray ripping tutorials (ripping to the raw M2TS files, I mean). So after messing around, I finally figured out two ways of ripping blu-rays (that are actually quite similar—except one is shareware, one is freeware). So, I decided to share...

Ripping Blu-Ray Disks with AnyDVD HD



Ripping Blu-Ray Disks with DVDFab HD Decrypter



Hopefully everyone can use it for their own blu-ray ripping.

X-posted to [livejournal.com profile] vidding_tech and my own journal, [livejournal.com profile] fiery_genius
[identity profile] morgandawn.livejournal.com
More and more High Def TV footage is becoming available and that footage is often made available inside 'Matroska' or '.mkv' - an open source video container  Here are a few tips on working with that footage (for both Mac and PC)

video converter (MKV)
HD Fan Vid Tutorial

The vidding forum 'Foolish Passion' has assembled a number of tutorials, among them working with High Def footage. You do need to create a free membership to view the boards. Look under "Vidding 101 - Tutorials for Mac and PC'.

edited: [livejournal.com profile] rhoboat has a tutorial here on how to frameserve mkv files into Vegas.

Also we have a HDTV tag here on vidding
redina: (Default)
[personal profile] redina
I looked under the hardware memories for this community and didn't see a similar question. I've seen the specs on the Blackmagic Intensity HDMI capture card and allegedly it can capture HD:
Intensity features HDMI-in for connecting to cameras and digital set-top boxes for the highest quality capture.

This would be for OTA-equivalent footage, which should be unencrypted on a Scientific Atlanta 8300HD box. Basically, I'm just trying to dump "regular TV" episodes from a cable box into a computer but retain the 1080i ratio and as much of the original data as possible. While the standard is still 720x480, cropping down the source may be an option, especially when certain TV networks love large, animated network bugs/logos.

Has anyone worked with the Intensity capture card before? And captured HD footage with it? If so, opinions, please? It's supposed to be compatible for Final Cut and Adobe product lines with the ability to output to HDTVs for preview.

Assistance would be appreciated. Thanks.
[identity profile] morgandawn.livejournal.com
I may have access to some HDTV source - but before I start using these laaarge files, has anyone vidded with HDTV source - and if so, were there any factors, issues or limitations?

I am an Apple vidder, so bonus points for any Mac specific  feedback.

edited: I am using Final Cut Pro 4.0. I am also using MPEGStreamClip 1.5.1 to export my files (DVD or AVI) into DV for editing with a Mac. Once there, I am curious to know if their system/software was slowed down when using the converted HDTV source, did they need to make any adjustments to use the soruce (aspect ratio etc) and were there any problems with output to DVD or AVI.

Finally, the HDTV source may come in various flavors - some will be pure TS stream - some may be x264.

cross-posted to: [livejournal.com profile] mac_vidding_101

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