DVD Authoring Question: 16:9 Source
Nov. 10th, 2004 12:22 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
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Some DVD authoring programs (IDVD, Ulead) cannot handle both 4:3 and 16:9 (widescreen source).
On some m2v files, the 16:9 screen images are squished vertically to fit the 4:3 format. In the past I was able to manually import the m2v file into my editing software, adjust the widescreen (make the image smaller) so it fit back down into a 4:3 frame and render, then re-export. This takes too much time to do for each vid.
is there a setting we can shoot for (Final Cut or Adobe Premiere or TMPEGEnc) that will export 16:9 images so the widescreen source is pre-adjusted to fit into the 4:3 TV screen?
On some m2v files, the 16:9 screen images are squished vertically to fit the 4:3 format. In the past I was able to manually import the m2v file into my editing software, adjust the widescreen (make the image smaller) so it fit back down into a 4:3 frame and render, then re-export. This takes too much time to do for each vid.
is there a setting we can shoot for (Final Cut or Adobe Premiere or TMPEGEnc) that will export 16:9 images so the widescreen source is pre-adjusted to fit into the 4:3 TV screen?
no subject
Date: 2004-11-10 12:36 pm (UTC)I have found when clipping from source that is widescreen, that the DVD rip is actually anamorphic - it does not have those nice little bars at the top and bottom to smoosh it into place when I pull it into the time line and as a result every one is very tall and skinny. In the case of Buffy, this is just disturbing as all get out.
So to add the bars to the source, I have tried a number of things - the one trick that works the best (using Premiere - cause I gave up on figuring it out in VDub) is to go to the effects palette, pick transform and set the height adjustment at 75% for each anamorphic clip. This is, of course, with in 4:3 project settings. This just adds bars to the final avi so that it is actually a 4:3 project, but looks widescreen. I think. I could be totally wrong here.
no subject
Date: 2004-11-10 01:03 pm (UTC)no subject
Date: 2004-11-10 01:13 pm (UTC)My final step is making the m2v file - and I generally make certain before I do that, that the aspect ratio is preserved in a 4:3 model (means adding bars to the final avi if widescreen). I think in this case it would be easier to go back to the final avi file and make the changes and just export an m2v from that. But, again, I don't know any way to edit an m2v file, I'm certain there is one - it is just my contribution to anything generally ends at that point. I am lagging in the DVD authoring know-how.
no subject
Date: 2004-11-10 01:30 pm (UTC)1. Use QT Pro and import the m2v file.
2. Export it as a DV file (lots of little fiddly settings I won't mutter about here)
3. Import in into Final Cut Pro/FCE
4. Import wav (or if lucky aiff file)into FCE and put into timeline
5. Use Killa's (patent pending) Motion method to streeeetch and squish the aspect ratio so all Buffy heads look normal.
5. Render (this takes days - at least with my processor).
6. Export, encode and burn.
7. Repeat for next video
no subject
Date: 2004-11-10 01:37 pm (UTC)but... color wheel...
::drools::
no subject
Date: 2004-11-10 01:45 pm (UTC)no subject
Date: 2004-11-10 12:50 pm (UTC)-360, -180
360, -180
360, 180
-360, 180
Save as a motion favorite, and apply to anything that's 16:9. If I'm doing this for a whole vid, I've just edited it all in squishyvision, then exported the sequence, reimported it as a single clip, and applied the Distort at the end of the process.
no subject
Date: 2004-11-10 01:08 pm (UTC)no subject
Date: 2004-11-10 01:13 pm (UTC)no subject
Date: 2004-11-10 01:23 pm (UTC)Plus, it might be helpful to hear how people handled the aspect ratio in their respective editing software. I stumbled on the FCE method by poking around (as I always do in FCE -great poking software, it is).
no subject
Date: 2004-11-10 01:49 pm (UTC)no subject
Date: 2004-11-13 03:59 pm (UTC)I don't know if your G5 (pause for drooling) makes export times negligble, or if you're using export/import metaphorically *g* but if you didn't want to, there's no need. You can just go do this:
file->new->sequence
That will create sequence2 in the browser. Double click on it to get it to pop up as a tab in the timeline and then just drag the sequence1 icon from the browser to sequence2 timeline and then apply the Distort. It's the same thing essentially, but it cuts down on export times.
And out of idle curiosity, do you know if there's any difference between distort and "aspect ratio"? I've just been setting the aspect ratio under the motion tab to -33 in order to get letterboxing.
no subject
Date: 2004-11-13 04:17 pm (UTC)1. Import into QT Pro
2. Export it out again as a m2v file - select the export options and click on 16:9.
It should be fixed. I still need to do a test burn.
no subject
Date: 2004-11-13 05:04 pm (UTC)There really isn't a difference - I think I used aspect ratio the first time I did it - but I like the mathematical exactictude of using pixel measurements (distort) vs. percentages (aspect ratio) because I'm a freak and 33.3333 etc. bugs me. *g* But since it rounds anyway, no, there's absolutely no difference AFAIK.
Thanks for the tip about creating a new sequence. I've never done that! Funky. I must admit, the G5 has spoiled me.
no subject
Date: 2004-11-10 02:20 pm (UTC)Click on "Settings", go to the "Advanced" tab. In the "Source aspect ratio" box, select 16:9 NTSC or 16:9 PAL. Then, in the "Video arrange Method" box:
- Select "Full Screen (keep aspect ratio)" if you want to add black bar at the top and bottom of your screen.
- Select "No margin (keep aspect ratio)" to cut the sides of your movie.
- Select "Fullscreen" if you want to stretch the image into a 4:3
Of course make sure your output format (in the "video" tab of the settings) is actually 4:3.
no subject
Date: 2004-11-10 02:24 pm (UTC)no subject
Date: 2004-11-10 03:03 pm (UTC)Edit ---> Encode ----> Author ---->Burn
no subject
Date: 2004-11-10 03:00 pm (UTC)